[Vocal Profile] Jeff Buckley

Jeff Buckley

Vocal Type: Light-Lyric Tenor
Vocal Range: G2 - E♭6 (F♯6) (3 octaves, 6 notes and a semitone)
Whistle Register: No
Vocal Pluses: Jeff Buckley possesses an instrument of medium weight, that is brightly coloured, with dexterity and stamina to hold notes for extended periods of time without signs of fatigue or effort. He has the skill and musicality to fluidly execute complex melismas and trills [Mojo Pin] through the range.

[Vocal Profile] Brendon Urie ("Panic at The Disco" )

Brendon Urie

Vocal Type: Leggiero Tenor
Vocal Range: D2-D6 (4 Octaves)
Whistle Register: No
Vocal Pluses: Brendon Urie has a unique instrument with an instantly recognizable tone. A bright voice in the alternative rock genre, he is capable of melisma, manipulating the tone of his voice and sustaining notes for long periods of time. He is comfortable throughout his entire range from the lower to the upper extremes and can switch to different parts of his voice with little to no difficulty [I Believe in a Thing Called Love]. Consummate live singer, he is able to replicate his studio recordings perfectly.

Michael Jackson: Vocal Profile/ Range [High Tenor/ 4 Octaves]

DivaDevotee's first Male profile; what a joyous and momentous day! I'm not sure how frequent these "male profiles" will be, especially considering the list of female pending profiles, but I'll try to get one out at least once a month. So, who better to start with than the legend that is Michael Jackson.

Michael Jackson

Vocal Type: High Tenor
Vocal Range: 4 Octaves (F2-F6)
Whistle Register: No
Vocal Pluses: Michael Jackson's voice was predominately light and agile with a nimble, rhythmic dexterity that allowed for complex vocal runs, as well as allowing it to mimic instruments- such as drums- or employ trademark grunts and exclamations that were controlled and achieved via proper technique. The voice also had the strength and stamina to hold notes for lengths of time, without wavering in pitch, and the ability to emote the meaning of the lyrics exceptionally.

The low range was the heaviest part of the voice, and was surprisingly dark when compared to the higher parts of the modal range, in which he usually sang. As the voice passed into the midrange it began to lighten and brighten significantly. The chest voice had an elasticity and flexibility that allowed for it to stretch, without much impact on the tone, up to the fifth octave. The belting range had a number of timbres, being either bright, light and smooth, or coarser, slightly heavier and with an edge-see They don't care about us . The falsetto was solid, warm and more resonate than many other male singers, though it was also capable of a softer timbre if so required. Comfortable in this part of the range, Michael Jackson could sing effortlessly here holding notes, or hitting complex staccato notes- see Butterfies.

Unique and immediately recognisable voice that harmonised with itself brilliantly to create luscious and iconic layered vocals.

Vocal Negatives: Michael Jackson's tone could be considered thin and lacking in resonance, particularly in the mid-to high part of the modal register, when compared to other male singers. It should be noted that many fans consider this to be a unique, and positive, feature of the voice.