[Vocal Profile] Camila Cabello

Camila Cabello

Vocal Type: Light Lyric Soprano
Vocal Range: 3 octaves and 1 note and semitone C3- Eb6
Vocal Pluses: Camila Cabello's biggest strength lies in the intrinsic character of the voice. From the lows to the top, it retains a nasal, youthful and girlish quality. With this placement, she is able to transfer inflections and tics that are present in her speaking voice, allowing for her to stand out and be identifiable whether in a harmony (Good To Go) or over a heavy production (Work). The voice is agile and capable of melisma (more so at the top of the range than anywhere else) [Sledgehammer (live)].

[Vocal Profile] Norah Jones

Norah Jones

Vocal Type: Light-Lyric Soprano
Vocal Range: A2 - E5 - B5 (3 octaves and a major second)
Whistle Register: No
Vocal Pluses:Norah Jones possesses a soothing, breathy and husky tonality that has become her signature vocal trait over the years. Although with this natural tone, she’s able to play with dynamics, going from a quieter sound to a louder one, easily [Nightingale]. The Diva is capable of melisma, if wanted, but it isn't often employed due to the genres she favours

[Vocal Profile] Leona Lewis

Leona Lewis

Vocal Type: Light-Lyric Soprano
Vocal Range: C3 - A5 - Gb6 (3 octaves and a diminished fifth)
Whistle Register: Yes
Vocal Pluses:A light, dexterous and versatile voice, Leona Lewis is capable of fluid and effortless register transitions, holding notes for extensive amounts of time and utilising complicated melisma. As Leona has grown, her voice has increased in musicality, ultimately becoming more distinguishable. Although a thinness is present in the voice, this is balanced by a (signature) heavy, slow and hefty vibrato [Bleeding Love].

Leona has a quiet, feminine lower range that is surprisingly confident. It carries a striking, sombre tone and is often used as the lead register [Hurt], implying an easiness here. Although the voice lacks projection and support at its lowest, it has become easier for the Diva to traverse as she has aged. [The Best and The Worst].

The middle voice is significantly brighter, fulsome and cleaner in colour than the lower range, possessing a lyrical edge that she aptly uses to emphasize emotion [Fireflies]. It has become more rounded in sound over time, and with its solid connection to the rest of the voice, Leona often uses it during multi-octave runs and vocal slides. Ultimately, the mid-range is well developed and a solid part of the voice, known for its power and vulnerability [Better In Time].

[Vocal Profile] Hayley Williams

Hayley Williams

Vocal Type: Light-Lyric Soprano
Vocal Range: Bb2 - A5 - A6 (3 octaves 7 notes and a semitone)
Whistle Register: Yes
Vocal Strengths: A technical and emotive vocalist, Hayley Williams’ voice has an edge that has been manoeuvred and molded into a unique vocal styling. A knowledgeable singer, she has honed her skills to create (the appearance of) a fully connected range that rings with a spunk-infused attitude.

[Vocal Profile] Amerie

Amerie

Vocal Type:Light Lyric Soprano
Vocal Range:3 octaves C#3-C#6
Vocal Pluses: Amerie possesses not only a highly emotive voice, but demonstrates a versatility in tone, timbre and colour not often displayed by the average RnB singer.

The lower range of the voice is where Amerie struggles, displaying a tone which can not only sound unhealthy, flat and unsupported, but can also sometimes be abrasive to the ear- depending on the context of the material she is singing. For example, All I Have's softer and generally more pleasing delivery contrasts greatly to Dangerous, where the more serrated edge to the voice can be less so.

Within the mid-range the tone lifts and the timbre intensifies into a far more pleasing sound. This area is generally well supported and the tone is exceptionally cleaner right up to a D5- evident in such songs as That’s What U R, where a sweeter, more sensual tone is displayed. The chest voice is incredibly versatile, and has evolved from her debut album- where it was significantly cleaner- to now, where it has a more prominent rasp, giving the voice a distinctive sound.

[Vocal Profile] Sia Furler

Sia Furler

Vocal Type: Light-Lyric Soprano
Vocal Range: 3 octaves( BB2-Bb6)
Whistle Register: No
Vocal Pluses: Chameleon-like voice that skirts styles and genres depending on what is required. Sia can deliver a vocal that is "commercial" and mainstream, with her vocal mannerisms toned down- something most prominently heard on her demos. However, her natural style is one that is characterful, emotive and steeped in jazzy inflections unique to her. This individuality is further bolstered by the singer's, at times, slack annunciation and quick vibrato.

[Vocal Profile] Haley Reinhart

Haley Reinhart

Vocal Type: Light Lyric Soprano
Vocal Range: D3-E6 (3 octaves, 1 note)
Tessitura: D4-E5 (1 octave, 1 note)
Whistle Register: No

Vocal Pluses: An emotive singer, this Diva demonstrates great control over her instrument in its upper reaches. Her voice is characterized by its ability to growl emotively, and go from a sweet whisper, to a belt at forte. Her voice also has a nice natural rasp that gives the voice a false sense of thickness.

Haley Reinhart's lower register, is thin and lacks resonance, though the tone is nasal, reedy, and sweet. She loses resonance as she dips below B3. Despite this fact, she wields it with nice artistry; using the thinness of this register to give the voice a great sense of dynamics, being able to go from a low whisper-like note to an elastic belt easily [Hear: Oh My]. However, her technique in this region is questionable, with notes often being reached by forcing the larynx down.

Her mid voice, spanning C4-C5, is still light in both weight and volume which gives her voice an overly delicate and youthful sound [Hear: Wasting Tears]. The voice breaks at around C5 where her falsetto gives way. Her tone in this area is rather guttural and edgy at times [Hear:Wasting Tears] but can be softer, and cooler [Hear: Hit the Ground Running ]. This area is quite easily accessed, though at times she can sound monotone.

Her belting register is her strongest suit, spanning from B4-G#5. She uses this part, combined with her ability to mix and her extensive volume control, to give the voice added dynamic [as heard in the D5 of Oh My and the C#5 of the chorus of Undone]. She has quite a durable voice, being able to "growl" for extensive periods with little if any resulting vocal deterioration. She also has extensive stamina in this region, being able to sing difficult lyrical passages [as heard in her many American Idol covers and her song Keep Coming Back]. Her tone in this region is very reedy, though its texture is very raspy.

Haley has a well developed mix and relies heavily on falsetto, rather than true head voice. It extends upwards to Soprano E. Her tone here is a dead ringer for a piccolo, and is in contrast to the rest of her voice. It is warm and has a light weight fragility to it. She can switch to head tones within the space of a breath and exhibits great dexterity here. Her mix is stellar and uses great technique to achieve this sound. (Just about every single song she has created shows off her head tones.)

Vocal Negatives: Thin light voice, is a very acquired taste and has trouble being heard over instrumentation in a live setting. Her technique in her belting register needs polish, as there is questionable technique and a lack of mixing involved when singing. Her growling, similarly, employs questionable technique. A listener may also take issue with the nasal and bight tone present in her full voice,  her rasp, and her weak lower register.

Thanks to Montrez Rambo for this Profile! 

Jessica Jung [SNSD] Vocal Profile/ Range

Jessica Jung

Vocal Type: Light lyric soprano
Vocal Range: 3 Octaves D3-D6
Whistle Register: No
Vocal Pluses: Soft,delicate and innocent colouring to the whole of Jessica Jung's range. Her technique is such that she can hold notes for lengths of time with no deviation in pitch, but can also add a pleasing vibtrato if needed.

The lower notes are dark and heavy, with a smoky timbre to them, noticeably so when compared to the rest of the range. But that weight is quickly lost, though not the rounded quality of the notes, as it climbs into the midrange. This part of the range is perhaps the sweetest and warmest part of the voice.

[Vocal Profile] Ellie Goulding

Ellie Goulding

Vocal Type: Light Lyric Soprano
Vocal Range: 3 Octaves 4 Notes and a semi-tone (A2-F#6)
Whistle Register: No
Vocal Pluses:Ellie Goulding owns an extremely distinctive and unique voice. She possesses a wide range of colours and tones within the entirety of said range and quality of the voice has been described as wispy, airy and light in tone and timbre. Her ability to infuse notes with a trademark piercing vibrato, particularly in the upper registers, has also been commented upon, along with her vocal dexterity.

The lower extremities of the range (From A2 - C4) possess a worn, scratchy and almost tired feeling; however this area is used with an adept technique making the notes themselves sound healthy- if somewhat more dulled than the rest of the range. Her enunciation and general tone here displays a genuine, expressive and earthy feel. This area of the range sounds slightly disconnected and differing from the sound of the voice overall.

Goulding's mid-range retains some of the qualities of the lower range but sounds far more audible and cleaner in tone due to the low mid-range retaining a raspy quality. The lower and mid sound well connected despite the differing sounds of the lower and upper ranges. This area is easily accessible for Goulding who manages to traverse through the registers, right up to the top, ornamenting notes and using swift melisma in the process.

The head voice is where Goulding comes into her own. In this area, she displays a more fulsome, piercing, and agile tone. The upper head voice belts sound well supported and incisive in nature yet retain a sweet and warm colouring without ever becoming overbearing or strained (See Dead in the Water). Goulding is also extremely adept at using her trademark coloratura within the upper soprano range, displaying a great sense of physical ability as well as musicality, managing to use ornamentation without gratuitous over singing.

Overall, despite Goulding having only ever obtained lessons in breath control before becoming a professional singer she displays a strong sense of artistry with not only her vocal abilities but with the material for which she writes to fit her voice. This is all whilst seemingly sitting within a healthy technique for the majority of the time. Her voice is very light yet full and clean in tone placing her as a light lyric type due to her extensive versatility and flexibility.

Vocal Negatives: The nature of Goulding's voice can be off-putting to some, as the timbre and colouring of her voice can be somewhat childlike and thus somewhat of an acquired taste. Also the voice can display a strong nasal quality which can permeate the entirety of the range at times. Criticism has also been noted for her live performances, which can be of an erratic and inconsistent quality compared to her studio work, resulting in Goulding being labelled a 'studio' artist. Vocal stamina has also been an issue during the live shows as she often runs out of breath and pushes notes out to create sound by means of incorrect technique.

Many Thanks  Stuey and Spark For updating this!

Amber Riley - Vocal Profile/ Range

Amber Riley

Vocal Type: Light Lyric Soprano
Vocal Range: 2 Octaves 3 notes and a semitone F3-C6
Whistle Register: No
Vocal Pluses: Amber Riley has great breath control which allows her to hold notes for notable periods of time without issue. Her ability to support her voice with great technique means that these notes are sustained with no pitch deviation or lose of dynamic. She can also sing melisma and has the use of a quick vibrato.

Amber's main vocal strengths comes from her extensive belting range. It has power and great dynamics, combined with a light and bright quality. She appears to have great technique when mixing her voice on the higher notes and this avoids undue strain on the vocal chords, and produces a consistent sound throughout the belting range. This allows her the impressive feat of being able to ascend to a soprano high C (C6) in what sounds like the chest register alone, when in fact it is a deft mix with her head voice.

Vocal Negatives: Voice lacks agility, so complex vocal runs can sound clumsy and a little laboured. The voice also struggles with the lower notes and has an immature, childlike colouring to it at times.

[Vocal Profile] Janet Jackson

Janet Jackson

Vocal Type: Light-Lyric Soprano
Whistle Register:No
Vocal Range: C3-D6 (3 Octaves 1 Note )
Vocal Pluses: Janet Jackson is a Diva who knows her instrument, working its strengths and weaknesses to best effect. The voice has an overarching sweet and warm timbre that carries throughout the range, which works beautifully to create layered harmonies [Discipline/ What's It Gonna Be].

The lower-range isn't often used by Janet, being mostly weaved into harmonies[Take Care]. When she does showcase it, it sounds to be comfortable, dark and surprisingly solid [Son of a Gun (I Betcha Think This Song Is About You)].

The mid-range is where Janet's voice begins to shine, and is where she finds herself most comfortable. Here Janet shows her versatility, being able to play with texture and weight to create contrasting tones. Most often used is a soft, breathy and warm colouring [Rock With You], but she she can also solidify the sound, adding attitude and character to her delivery [Black Cat]. Both styles can be heard used brilliantly in tandem in domestic abuse song What About.

[Vocal Profile] Aaliyah

Aaliyah

Vocal Type: Light Lyric Soprano
Vocal Range:G2-E6 (3 Octaves 5 Note ) ( E3-G5)
Whistle Register: No
Vocal Pluses: This Diva possessed a remarkably smooth and seductive tone that carried through much of the range. Never considered a "powerhouse" vocalist, the strength in this voice lay in the texture, phrasing and canny use of the different registers to impress. [Listen as she creates drama in I Refuse without falling back on the cliches of power or increased dynamics to do so.]

Aaliyah possessed a solid lower range that was dark and warm. Slightly smokey, the voice was always well supported here, resulting in a sound that was clear, strong and free from the fogginess many Diva's suffer at the bottom of their voice [Death of A Playa].

[Vocal Profile] Katy Perry

Katy Perry

Vocal Type: Light-Lyric Soprano
Vocal Range: 3 Octave ( D3-D6)
Whistle Register: No
Vocal Pluses: As a whole, the voice is characterful and youthful with a soft and sweet upper-range and a punchy, attitude infused chest voice. Katy Perry has the ability to hold notes [The One That Got Away (live)] and sing melisma [Whip My Hair (Live)], but her material doesn't often call for such vocal skills to be employed. As such, she is moat likely to attempt these feats in a live setting.

The Diva's lower range is cloudy and of mid-weight, but solidifies, brightens and lightens significantly as she ascends the third octave. Recent years have seen gains in the confidence exhibited in these lower notes, with them becoming fuller in sound.

The Diva shows the most resonance when belting in the fourth octave, loosing weight, colour and taking on an incisive quality as she moves towards and up the fifth octave. Occasionally she employs a slight rasp to these top notes- particularly when singing live- but its not usually heard in her recorded work, where the notes remain clean, clear and bright. Perry is also able to sing melisma in this part of her range [Walking on Air] but it's not something she demonstrates often.

Vocal Negatives: Criticisms have been leveled at her vocal ability when live and recorded vocals are contrasted.

[Vocal Profile] Taylor Swift

Taylor Swift

Vocal Type:Light Lyric Soprano
Vocal Range: 2 octaves and 3 note  [D3- G5]
Vocal Pluses: A clear and simple voice that favors a strong melody over vocal bells and whistles. Whether an artistic choice, or due to vocal limitations, it's a style that successfully lends itself to the narratives the Diva injects into her art, allowing for her lyrics to be understand and appreciated. Though not often heard, Taylor can hold notes throughout her range [Red 1, 2], and has demonstrated some dexterity, being able to switch to her head-voice quickly [I Knew You Were Trouble] .

Taylor's mid-range, at its bottom, has a slight huskiness to it [Innocent]. However that quickly lifts, as the voice takes a nasal placement, revealing a bright and definite tone that is without any real texture. The Diva can create more texture, but in doing so the voice becomes less dynamic, becoming airier and thinner. Taylor often utilises this timbre for layering and creating harmonies [The Last Time]. Her easiness in the mid-range means she is free to play with her delivery- for instance adding a playful scorn to her tone in We Are Never Ever Getting Back Together to accentuate the lyrical content. The intrinsic character of Taylor's own speaking voice is most prevalent here, but it can be found throughout the range, meaning her vocals remain identifiable and attributable.

Her chest/belting range is cool and almost metallic in tone. Due to the lightness of the voice, Taylor doesn't appear to have any issues in this part of the range, being able to hit mid-fifth octave notes with little change in tone, timbre [State Of Grace]. Though there is shedding of weight as she ascends the fifth octave, it isn't enough to strip the voice of its character. The unwavering nature of her belts also suggests the Diva has great breath control and support when executing them [Collection of Taylor's belts].

The top of her range is soft, sweet and akin to a breathy falsetto [Forever and Always (Piano Version)]. The Diva sounds comfortable here, showing no issues singing here for lengthy periods of time.
Vocal Negatives: Overall the voice has a anemic tone, and lacks volume and power.

[Vocal Profile] Beyonce

Beyonce Knowles

Vocal Type: Coloratura (Light-Lyric) Mezzo
Vocal Range: 4 octaves. F2-F6 (approx)
Whistle Register: No
Longest Note: 14 seconds - 'Flaws And All' (live)
Vocal Pluses: A technical singer who has trained their voice into one of the strongest in the industry. Her incredible vocal flexibility and dexterity allows for pin-point accurate, and quick melisma that can traverse through the registers [Link]. In addition, her exceptional breath and core support means Beyonce can hold notes, vocalise long phrases and dance with little decline in vocal quality. She is also in possession of a variable vibrato that is considered one of the best in the business [Link ]. She often adds this to “polish” notes and negate any shrillness that may be present.